All images © by Roberto Piperno, owner of the domain. Write to email@example.com. Text edited by Rosamie Moore.
where the painters found their models
(Cristina - left - and Elisabetta - right - were so kind to pose for romeartlover)
Anticoli became known in the XIXth century because its young inhabitants used to pose as models for the community of artists living near Piazza di Spagna. Some artists eventually went to see the birthplace of their models and found Anticoli a very picturesque site to the point of living there for some time. The town attracted artists until World War II. Anticoli and some of the neighbouring towns (shown in this page) were portrayed in many paintings. Anticoli can be reached from Tivoli following Via Tiburtina Valeria.
The development of the valley owes a lot to Emperor Nero, who built a large villa in the upper valley of the Aniene, at a location known as Sublaqueum (today the town of Subiaco) named after the three artificial lakes embellishing the villa of the Emperor. The development was also due to the Anio Novus an aqueduct built by Emperor Claudius, but extended by Trajan to reach the lakes of Subiaco. The road which departs from Via Tiburtina Valeria to reach Anticoli Corrado crosses the Aniene on an ancient Roman bridge.
The main square of today's Anticoli was in the past an open space between the town and its cemetery. The fountain at the center of the square is by Arturo Martini who donated it to Anticoli. S. Pietro is the oldest church in town and it dates back to the XIth century.
Anticoli is built on the slope of the hill and rather than streets it has steps (which sometimes are cut in the stone of which the hill is made). Several buildings show a certain level of wealth, which is confirmed by many coats of arms.
Most of the streets of Anticoli are dedicated to the painters who came to live here and who in some cases fell in love with their model and married her settling in Anticoli (see a page on a family of painters). The museum of Anticoli exhibits works of the painters who lived in Anticoli, including Maurice Sterne, an American born in Latvia, who travelled extensively in Europe and Asia. (see a work by Sterne on the web site of the museum).
Arsoli was the last town belonging to the State of the Church before the border with the Kingdom of Naples. It was acquired in 1574 by the Massimo family: the imposing XIth century castle was largely rebuilt by the Massimo in the XVIth century. The main church bears the coat of arms of the family, rather than those of a bishop or a cardinal (see Palazzo Massimo in Rome).
Vicovaro was for more than five centuries a fiefdom of the Orsini family. Its little church of S. Giacomo built in the XVth century is an interesting example of the transition from Gothic (lower part of the portal by Domenico di Capodistria) to Renaissance (upper part of the portal by Giovanni Dalmata with a fine coat of arms of the Orsini).
Castel Madama is named after Margaret, daughter of Emperor Charles V, who married first Alessandro de' Medici and then Ottavio Farnese, Duke of Parma. In addition to Palazzo Madama and Villa Madama she acquired the castle built by the Orsini on the top of a hill. This explains why the coat of arms at the castle entrance shows the double headed eagle of the Habsburg. During her stay in the castle, the little church of S. Quirico was embellished with paintings by Federico Zuccari (Martyrdom of St Sebastian, the detail shows a XVIth century crossbowman). In the past the view of Castel Madama from the Aniene valley was very picturesque and it attracted the attention of many painters. Today too many modern buildings hide the castle, while the view from the south of the small town and of its parish church is still fine.
Latium was enlarged in the 1920s with territories from the neighbouring regions: the map on the left shows the current borders of Latium; the map on the right has links to pages covering towns of historical Latium: in order to see them you must hover and click on the dots.