All images © by Roberto Piperno, owner of the domain. Write to firstname.lastname@example.org. Text edited by Rosamie Moore.
Page revised in June 2012.
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The villas soon became an addition to the monuments of modern Rome and were portrayed in paintings and engravings. In general all the villas were facing Rome so that the guests could see the Roman countryside, the ruins of the aqueducts and the dome of S. Pietro in the distance.
Villa Mondragone was built in 1573-77 by Cardinal Marco Sittico Altemps and it was designed by Martino Longhi il Vecchio. Cardinal Altemps had been a supporter of the election of Pope Gregory XIII Boncompagni and he was on very friendly terms with the pope, who was often hosted at Villa Mondragone in a specially decorated apartment. The villa became known as Monte Dragone because of its location at the top of a hill and because it was decorated with many dragons, the heraldic symbols of Pope Gregory XIII.
Cardinal Altemps built la Retirata (the Retreat), a separate small palace, for his son Roberto and his wife Cornelia Orsini (learn more about them in a page covering Palazzo Altemps). Cardinal Altemps acquired the fiefdoms of Monte Porzio Catone and Montecompatri which were situated near the villa to form what was called Status Tusculanus (Tusculum being the ancient name of Frascati).
Cardinal Scipione Borghese, nephew of Pope Paul V, was a leading actor of the Roman scene at the beginning of the XVIIth century. He started to build a villa (today known as Villa Torlonia) to the west of Frascati, but in 1613 he exchanged it for Villa Mondragone together with the fiefdoms of Monte Porzio and Montecompatri. Cardinal Borghese expanded the Status Tusculanus by buying Montefortino from the Colonna and other properties between Villa Mondragone and Rome.
Cardinal Borghese commissioned Giovanni Vasanzio, an architect who worked at many Borghese properties, the enlargement of the main building of Villa Mondragone. This was done by incorporating la Retirata.
Vasanzio designed a very large fountain resembling a Roman nymphaeum with niches housing ancient statues collected by Cardinal Borghese. However in comparison to similar fountains designed by Carlo Maderno and Giovanni Fontana at Villa Aldobrandini and at Villa Torlonia, that of Villa Mondragone is rather small and it does not include an artificial waterfall (because the villa was already at almost the top of the hill).
Eagles and dragons were the heraldic symbols of the Borghese. At Villa Borghese in Rome they appear almost everywhere in the decoration of the main building and of the gardens. Eagles and dragons are of the same size, with perhaps the eagles being given more prominence than the dragons. At Villa Mondragone instead dragons were given priority to keep with the name of the villa.
Maybe because the Borghese had many villas and their maintenance drained too many resources, they lost interest in Mondragone, they removed the works of art from it and in the second half of the XIXth century they sold it to the Jesuits. It is currently rented to the Tor Vergata University of Rome.
Portale delle Armi and Villa Taverna
This type of triumphal arch was designed by Girolamo Rainaldi for Cardinal Scipione Borghese. It was meant to be the overall entrance to the properties acquired by the cardinal. When a modern road was opened between Frascati and Monte Porzio the Borghese did not allow it to pass inside their property and eventually the imposing gate ended up by losing its purpose. Today it is a pedestrian passage to a real estate development.
The current Italian word for coat of arms is stemma, but in the past it was arme. Because this term was confused with arma (weapon), it fell into disuse during the XXth century. Thus Portale delle Armi means portal of the heraldic symbols and not portal of the weapons.
Cardinal Borghese, after having acquired Villa Mondragone, exchanged another villa (today known as Villa Grazioli) with that of Cardinal Ferdinando Taverna which was located near Mondragone. Because this villa did not have a grand entrance he commissioned Portale delle Armi. Today it is usually referred to as Villa Parisi, because in 1896 it was sold to Saverio Parisi, a banker. The Borghese bought or built many villas, but to avoid confusion these are all named after previous or later owners.
In 1598 Pope Clement VIII donated a small state property on the hill above Frascati to his nephew Cardinal Pietro Aldobrandini, who almost immediately decided to build a stately mansion where his uncle could spend some days of rest as Pope Gregory XIII had done at Villa Mondragone. Giacomo della Porta was commissioned the design of the new building, the construction of which was preceded by the removal of all the obstacles which could prevent the cardinal's guests from enjoying the view over Rome.
The villa became known as Villa Belvedere (nice view), a name insofar used for that inside the Vatican walls. The imposing building which was designed by della Porta at the top of a series of terraces is visible from Rome because of its isolation and it is a landmark for identifying Frascati among the other towns of the Alban Hills.
Villa Aldobrandini does not have as much internal space as one would think judging by its large façade. This because it does not have wings surrounding an inner courtyard. It was constructed so that every room was "a room with a view" either towards Rome or towards a series of fountains behind the building.
After the death of della Porta in 1602, the completion of the casino and the design of the gardens and fountains were commissioned to Carlo Maderno and his uncle Giovanni Fontana, who had built Acqua Felice and other fountains for Pope Sixtus V.
We took coach, and went fifteen miles out of the city to Frascati, formerly Tusculum, a villa of Cardinal Aldobrandini, built for a country-house ; but surpassing, in my opinion, the most delicious places I ever beheld for its situation, elegance, plentiful water, groves, ascents, and prospects. Just behind the Palace (which is of excellent architecture) in the centre of the enclosure, rises a high hill, or mountain, all over clad with tall wood, and so formed by nature, as if it had been cut out by art, from the summit whereof falls a cascade, seeming rather a great river than a stream precipitating into a large theatre of water, representing an exact and perfect rainbow, when the sun shines out. Under this, is made an artificial grotto, wherein are curious rocks, hydraulic organs, and all sorts of singing birds, moving and chirping by force of the water, with several other pageants and surprising inventions, (..) with many other devices to wet the unwary spectators, so that one can hardly step without wetting to the skin. (..) The garden has excellent walks and shady groves, abundance of rare fruit, oranges, lemons, &c., and the godly prospect of Rome, above all description, so as I do not wonder that Cicero and others have celebrated this place with such encomiums. (John Evelyn in his 1645 Diary).
The villa was inherited by Cardinal Ippolito Aldobrandini and at his death in 1638 by Olimpia Aldobrandini who in that same year, at the age of fifteen, married Paolo Borghese. The property of the villa however did not pass to the Borghese, because Paolo died in 1646 and Olimpia married Camillo Pamphilj, nephew of Pope Innocent X. The fleurs-de-lys were one of the heraldic symbols of the Pamphilj and they can be seen in some additions made in the early XVIIIth century, including the detail of the railing at the entrance to the villa which you can see in the image used as background for this page.
In 1760, at the death of the last member of the Pamphilj family, the descendants of Paolo Borghese claimed the villa and other properties which had belonged to Olimpia Aldobrandini. In 1769 Villa Belvedere was assigned to a branch of the Borghese who changed their surname to Aldobrandini and who still own it.
Other views of Villa Belvedere can be seen in a page dedicated to the heraldic symbols of Pope Clement VIII.
In 1563 Annibal Caro, a poet who translated the Aeneid of Virgil into Italian and who gave advice to Cardinal Alessandro Farnese for the decoration of his palace/villa at Caprarola, bought a small property (near Frascati which belonged to Abbazia di Grottaferrata) where he built a small villa. Eventually in 1607 the property was bought by Cardinal Scipione Borghese who commissioned Carlo Maderno, Flaminio Ponzio and Giovanni Fontana the construction of a new large villa.
The most spectacular feature of the new villa was its Teatro delle Acque which was of an unprecedented width. In 1613 however Cardinal Borghese changed his mind and acquired Villa Mondragone from the Altemps to whom he ceded the villa he was about to complete. A few years later the Altemps sold the villa to Cardinal Ludovico Ludovisi, nephew of Pope Gregory XV who completed its construction and embellished the gardens with ancient statues (the cardinal did the same at his Roman villa).
On September 8, 1943 the Italian government surrendered to the Allied forces. On that same day Frascati, Velletri and other towns of the Castelli Romani were heavily bombed. What many thought was the end of the war turned out to be its final more devastating phase during which Italy from Naples to Bologna became a battlefield.
The casino of the villa was lost with part of the gardens. Luckily Teatro delle Acque suffered only minor damage.
Some of the fountains of Villa Torlonia show the heraldic symbols of the owners of the villa. The Conti, the family of Pope Innocent XIII, had the villa for a long period. It was then acquired by the Sforza Cesarini of Genzano and in 1841 by the Torlonia, as part of the dowry of Anna Sforza Cesarini. At the time the Torlonia were in the process of completing their villa along Via Nomentana. After WWII the gardens of Villa Torlonia were acquired by the City of Frascati and they were opened to the public.
Move to page one: Frascati - the town
Move to page three: Villa Lancellotti, Villa Falconieri and other villas
Next step in your tour of the Environs of Rome: Grottaferrata
Excerpts from Giuseppe Vasi 1761 Itinerary related to this page:
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