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Visit Rome following 8 XVIIIth century itineraries XVIIIth century Rome in the 10 Books of Giuseppe Vasi - Le Magnificenze di Roma Antica e Moderna The Grand View of Rome by G. Vasi The Environs of Rome: Frascati, Tivoli, Albano and other small towns near Rome A 1781 map of Rome by G. Vasi An 1852 map of Rome by P. Letarouilly Rome seen by a 1905 armchair traveller in the paintings by Alberto Pisa The 14 historical districts of Rome An abridged history of Rome How to spend a peaceful day in Rome Baroque sculptors and their works The coats of arms of the popes in the monuments of Rome Pages on a specific pope Pages complementing the itineraries and the views by Giuseppe Vasi Walks in the Roman countryside and in other towns of Latium following Ferdinand Gregorovius A Directory of links to the Churches of Rome A Directory of links to the Palaces and Villas of Rome A Directory of links to the Other Monuments of Rome A Directory of Baroque Architects with links to their works A Directory of links to Monuments of Ancient Rome A Directory of links to Monuments of Medieval Rome A Directory of links to Monuments of Renaissance A Directory of links to Monuments of the Late Renaissance A list of the most noteworthy Roman Families Directories of fountains, obelisks, museums, etc. Books and guides used for developing this web site An illustrated Glossary of Art Terms Venice and the Levant Roman recollections in Florence A list of Italian towns shown in this web site Venetian Fortresses in Greece Vienna seen by an Italian XVIIIth century traveller A list of foreign towns shown in this web site
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All images © by Roberto Piperno, owner of the domain. Write to romapip@quipo.it. Text edited by Rosamie Moore.
Page revised in August 2010.

To the Italian visitors of my web site

Chiesa della SS. Trinità e Convento dei Padri Trinitari (Book 7) (Map B2) (Day 1) (View C6) (Rione Campo Marzio)

In this page:
 The plate by Giuseppe Vasi
 Today's view
 SS. Trinità degli Spagnoli
 Palazzo Nunez Torlonia
 Palazzo di Malta
 Via Condotti (Palazzetto Ansellini and Palazzo Maruscelli Lepri)
 Palazzo del Principe di Polonia and Palazzo Gomez Silj
 Oratorio del SS. Sacramento
 Santi Giuseppe e Orsola (Accademia di S. Cecilia)

The Plate (No. 128)

SS. Trinità degli Spagnoli

When Giuseppe Vasi published this etching in 1756 the monastery of the Spanish Calced Trinitarian Fathers had just been completed; it consisted of a home for the monks in Via Condotti, of a residence for lay members of the order at the corner with Via del Corso, opposite Palazzo Ruspoli, and of a church placed between the two buildings.
The complex provided an elegant entrance to Via Condotti which ended at Piazza di Spagna; this plate gave Vasi the opportunity to show SS. Trinità dei Monti and the steps leading to it, which he had not included in his previous etching covering that square.
The view is taken from the green dot in the map below. In the description below the plate Vasi made reference to: 1) Strada Condotti; 2) Palazzo Nunez; 3) Fontana della Barcaccia; 4) SS. Trinità sul Monte Pincio. 3) and 4) are shown in more detail in other pages. The small 1748 map shows also 5) SS. Trinità degli Spagnoli; 6) Palazzo di Malta; 7) Palazzetto Ansellini; 8) Palazzo Maruscelli Lepri; 9) Palazzo del Principe di Polonia; 10) Palazzo Gomez Silj; 11) Oratorio del SS. Sacramento; 12) Santi Giuseppe ed Orsola.

Small ViewSmall Map

Today

The view today
The view in August 2010

During the XIXth century a certain number of buildings along Via Condotti were enlarged by the addition of one or two storeys and/or their façades were modified, but overall the view is very similar to that shown in the etching (exception made for Obelisco Sallustiano which was placed at the top of the steps in 1789).

SS. Trinità degli Spagnoli

SS. Trinità
Façade and details of its design

The church was designed by Emanuel Rodriguez Dos Santos, a Portuguese architect to whom also S. Maria Maddalena is attributed. The façades of the two churches are very similar, but that of the Trinitarians has a less abundant decoration. In 1895 the church was assigned to the Spanish Dominicans.

SS. Trinità
(left) An angel is about to free two slaves by Pietro Pacilli; (right) coat of arms of Castile

The order was founded by St. John of Matha at the beginning of the XIIIth century and it had among its key objectives that of ransoming Christian slaves; the saint lived in two small rooms near S. Tommaso in Formis, the first Roman convent and hospital of the order; according to tradition he saw a stag bearing on his head the blue and red cross which became the emblem of the order (see the image used as background for this page).
In the following centuries the order split into Calced and Discalced Trinitarians and along national divides (the Discalced wore sandals rather than shoes and followed stricter rules than the Calced). The Spanish Discalced Trinitarians had their monastery at S. Carlo alle Quattro Fontane and the French Trinitarians at S. Dionigi Aeropagita.

Palazzo Nunez

Palazzo Nunez
(left) Façade in Via Condotti; (right) façade in Via Bocca di Leone

The Nunez were a family of Spanish origin who came to live in Rome at the time of Pope Alexander VI; their palace in Via Condotti was designed by Giovanni Antonio de' Rossi in 1659. In 1842 it was bought by Marino Torlonia, Duke of Poli, who commissioned a large renovation of its interior; the façade was given a more austere appearance, with the exception of the cornice which retains an elaborate decoration.

Palazzo Nunez
(left) Detail of the cornice; (right) fountain donated by Duke Marino Torlonia in Via Bocca di Leone

Palazzo di Malta

Palazzo di Malta
(left) Façade; (right) 1631 inscription

In 1522 the Hospitallers (Knights of St John) were forced by the Ottomans to surrender Rhodes; they withdrew to Crete, at the time a Venetian possession, until 1530 when they were given Malta by Emperor Charles V; they ruled the island until the French conquest in 1798. Their representatives in Rome lived in a palace in Via Condotti. The building was repeatedly modified in the XIXth century: it retains an original 1631 inscription celebrating a major upgrading of the palace by Pietro Aldobrandini, a relative of Pope Clement VIII. On December 8, Festa dell'Immacolata, the balcony is decorated with ancient drapery for the passage of the pope.

Via (dei) Condotti

Palazzo Ansellini
(left) Palazzetto Ansellini; (centre) final section of Via Condotti, the white building on the right side of the street is Palazzo Maruscelli Lepri; (right) detail of Palazzo Maruscelli Lepri

The original name of the street was Via de' Condotti because of the conduits which were laid along the street to distribute the water of Acqua Vergine, an ancient aqueduct which was repaired by Pope Sixtus IV. When Via de' Condotti became the main street of the Strangers' Quarter, the humble origin of its name was forgotten; the description below the plate and the small map call it Strada Condotti (in this way it sounds as if Condotti designated a noble family); today it is the heart of a shopping district which is in the process of losing its traditional aspect because chain stores replace the old historical shops.
In many XVIIIth century palaces along the street landlords lived on the first floor (that above the ground level) and the rest of the building was split into flats which were rented. Palazzetto Ansellini and Palazzo Maruscelli Lepri are examples of this pattern (for other similar buildings see a page on Flats for Rent in XVIIIth century Rome).

Palazzo del Principe di Polonia

Palazzo del Principe di Polonia
(left) Via della Croce seen from Piazza di Spagna; (centre) Palazzo del Principe di Polonia; (right) Palazzo Gomez Silj (at the very far end of the street Rampa di S. Sebastianello)

Via della Croce is a street which, similar to Via Condotti, links Via del Corso with Piazza di Spagna. Prince Stanislaw Poniatowsky, a nephew of Stanislaw August II, the last King of Poland, bought some houses in this street after he settled in Rome in 1792; they were replaced by a rather ordinary building which Mariano Vasi, in an update to his father's guide to Rome, pompously called Palazzo del Principe di Polonia; as a matter of fact the building was split into apartments as the prince preferred to live in Villa Sinibaldi Poniatowski. Not very far from Via della Croce, opposite Trinità dei Monti, Palazzo Zuccari was for some time known as Palazzo della Regina di Polonia (Queen Maria Casimira Sobiesky).
In the same street Palazzo Gomez (aka Palazzo Lepri Gallo and Silj) is another work by Giovanni Antonio de' Rossi; it was built in 1678 and it is not much different from the other buildings of the street; the architect left his mark in some details of the decoration.

Palazzo del Principe di Polonia (II)
(left) Detail of Palazzo Gomez Silj; (right) XVIIIth century portal of another building in Via della Croce

Oratorio del SS. Sacramento

Oratorio
(left) Façade; (right) symbols of the brotherhood in the nearby dead-end alley: the grill is a reference to St. Lawrence's martyrdom

Oratorio del SS. Sacramento is not the only oratory with this name. A larger one is located near S. Maria in Via. This small building belonged to a brotherhood (Arciconfraternita) founded in 1576 and associated with the church of S. Lorenzo in Lucina; it was redesigned in 1724, maybe by Nicola Michetti, a Roman architect who spent several years in St. Petersburg. The oratory was deconsecrated in the XIXth century and since 1971 it houses a leather shop.

SS. Giuseppe e Orsola

SS. Giuseppe e Orsola
(left) Façade of the church; (right) the nunnery and at the far end of the street Mausoleo di Augusto

Camilla Orsini was the wife of Marcantonio II Borghese, nephew of Pope Paul V; in the first half of the XVIIth century she paid for the construction of a large nunnery in Via Vittoria, a street parallel to Via della Croce; the nunnery belonged to the Ursulines, an order aimed at the education of young girls. The building was confiscated by the Italian Government in 1870 and it was used to house Accademia Musicale di S. Cecilia, an institution founded in 1585 (you may wish to see their website - external link).

Excerpts from Giuseppe Vasi 1761 Itinerary related to this page:


Monastero e Chiesa delle Orsoline
Proseguendo il cammino per la strada del Corso, ed entrando nel terzo vicolo dopo la descritta chiesa, si vede a sinistra il monastero dell'oblate Orsoline, eretto l'an. 1684. da Laura Duchessa di Modena, madre di una Regina d'Inghilterra , con una piccola chiesa che è dedicata al Patriarca s. Giuseppe.
Chiesa della SS. Trinità in strada Condotti
L'anno 1741. fu edificata quella chiesa con disegno di Emanuele Rodriquez Portughese, terminata però da D. Giuseppe Ermosiglia spagnuolo, per un legato di D. Diego Arcivescovo di Lima, e Vice-Re del Perù, affine di stabilire in Roma i Religiosi spagnuoli dell'Ordine del Riscatto, di cui anche egli era religioso. Perciò terminata che fu, venne dedicata alla ss. Trinità, e per distinzione dell' altre chiese, porta il nome della strada, a cui appoggia. E' questa di figura ovale con sette cappelle; nella prima a destra vi è s. Caterina colla ss. Vergine dipinta da Giuseppe Paladini Messinese; nella seconda vi dipinse il quadro Lamberto Karhe Fiammingo, e nella terza D. Francesco Preziado spagnuolo. Il quadro dell'altare maggiore è di Corrado Giacquinto, e i laterali sono di D. Antonio Valasques spagnuolo, il quale dipinse a fresco anche le pitture in alto. Il quadro nell'altra cappella è di Gaetano Lapis, e quello nell' ultima del Cav. Benesiani. Le pitture a fresco nella volta, nel coro, e nella sagrestia sono di Gregorio Guglielmi; il quadretto però nell’ altare della medesima è del suddetto Preziado, e le sculture in marmo sono di Gasparo Sibilia.
... La deliziosa strada che da questa principia, e seguita dritta fino al collegio Clementino si dice de' condotti, per gli antichi condotti dell'acqua Vergine, che vi passavano; e poi fino a castel s. Angelo, si dice dell'Orso. Nel principio di essa evvi a destra il palazzo dell'Imbasciatore di Malta, ed incontro quello di Nunez molto magnifico.

Next plate in Book 7: S. Maria delle Fornaci
Next step in Day 1 itinerary: Palazzo Ruspoli
Next step in your tour of Rione Campo Marzio: Palazzo Ruspoli