You may wish to read an introduction to this section first.
At Kazerun whether in his upward or downward journey to or from the Gulf, no traveller should miss the opportunity of going to
see the ruins and sculptured bas-reliefs of the ancient capital
of King Shapur, which also bears his name, and the rock-tablets of which are superior both in number, size and
interest to those at Naksh-i-Rostam. (..) Having crossed the plain towards its northern extremity, the track becomes involved in a wilderness of tumuli, consisting of loose stones and tumbled-down structures, filling a circuit of several miles, at the base of the mountain. (..) These are this ruins of the city of Shapur.
George N. Curzon (Lord Curzon) - Persia and the Persian Question - 1892
Bishapur was founded by Shapur, second Sassanid king, to celebrate his victory over the Romans in 260 AD. He was the son of Ardashir (Artaxerxes in Greek), a governor of Persia who deposed the last Parthian king in 228 and proclaimed himself Shahenshah (king of kings). Ardashir was the son or the grandson of Sasan, perhaps a Zoroastrian grand priest, thus the dynasty he founded was called Sassanid or Sassanian.
The entire continent opposite Europe, separated from it by the Aegean Sea and the Propontic Gulf, and the region called Asia he (Artaxerxes) wished to recover for the Persian empire. Believing these regions to be his by inheritance, he declared that all the countries in that area, including Ionia and Caria, had been ruled by Persian governors, beginning with Cyrus, who first made the Median empire Persian, and ending with Darius, the last of the Persian monarchs, whose kingdom was seized by Alexander the Great. He asserted that it was therefore proper for him to recover for the Persians the kingdom which they had formerly possessed.
Herodian - History of the Roman Empire since the Death of Marcus Aurelius - Book VI - Translation by Edward C. Echols.
Ardashir claimed to be the heir of the Achaemenid (or First Persian) Empire which had ended in 330 BC with the seizure of Persepolis by Alexander the Great.
We enter the gorge, and are immediately confronted with the sculptured bas-reliefs, which have survived the more perishable structures of brick or stone and when all other records of man's handi-work have perished will still transmit to future ages the proud record of Sassanian splendour. Lord Curzon
In 232 Emperor Alexander Severus led a major army against Ardashir, who in the previous years had raided several Roman territories. The campaign was poorly organised and the Roman legions had significant losses, yet Ardashir remained quiet and did not take up arms for four years after the campaign. (Herodian)
In 235 the Emperor was killed by his own soldiers in Germany and for the Roman Empire a long period of anarchy began. The year 238 is known as the Year of the Six Emperors because six individuals were recognised as emperors. Ardashir decided to profit from the chaos reigning at Rome. He invaded Syria and probably he even conquered Antioch, at the time its most important city. He named Shapur to the throne one year before his death in 241.
Shapur is easily recognized by his turreted crown with superimposed globe, by his flowing curled locks and handsome features and by his beard tied into a knot below the chin. Lord Curzon
In 243 a Roman army led by Emperor Gordian III (who was just 18) won back most of Syria and the key towns of Zeugma and Carrhae in today's Turkey. In an inscription at Naqsh-e Rostam Shapur claimed he killed Gordian III in a battle. According to Roman sources the death of the emperor was the result of a plot by Philip the Arab, commander of the Praetorian Guard, who became the new emperor. He immediately signed a humiliating peace treaty and he declared himself vassal of Shapur (more on him in a page covering his hometown).
In 260 the Sassanids laid siege to Edessa (today's Sanliurfa) and Emperor Valerian led an army to help the defenders. According to Shapur's account Valerian was captured in battle, but according to Zosimus, a Byzantine historian desiring the emperor to come and speak with Shapur in person concerning the affairs he wished to adjust (..) he went without consideration to Shapur with a small retinue, to treat for a peace, was presently laid hold of by the enemy, and so ended his days in the capacity of a slave among the Persians, to the disgrace of the Roman name in all future times. Zosimus - New History - Book I.
Walls (reconstructed section)
Here and there is a fragment of wall built of larger stones, so firmly welded together that it has resisted the shock of centuries. Lord Curzon
Ctesiphon, near today's Baghdad, in central Mesopotamia, a very rich province, was the capital of the Parthians and after them of the Sassanids. It was however subject to being seized by the Romans and this had already occurred in 116 (Trajan), in 164 (Lucius Verus) and 198 (Septimius Severus). Shapur decided the city he was giving his name should not be at risk of being conquered by the enemy. He therefore chose a remote location in the tableland south-east of Mesopotamia which the Romans were very unlikely to be able to reach.
According to Sassanid sources Shapur made entire legions prisoner and Bishapur was built by Roman slaves. As a matter of fact some features of the palaces and temples so far excavated recall Roman monuments: the vault of the stairs of the temple resembles that of the vomitoria, the internal passages of a Roman amphitheatre. There is uncertainty about the dedication of the temple; the prevalent opinion says it was dedicated to Anahita, a fertility goddess, to whom another temple was dedicated in Northern Persia.
The so-called Palace of Shapur, the main building in the excavated area, has a number of niches which is typical of Roman monuments where they housed statues of gods or emperors. The design of the palace however is a forerunner of Islamic art because it has three large iwans, structures open on one side with usually very high walls. Iwans can be seen in mosques or medreses as at Samarkand or in palaces as at Khiva, but also in smaller buildings where they reduce the heat by favouring the movement of the air as at Bimaristan Argoun in Aleppo.
(left) Eastern Hall; (right) part of a Four Seasons mosaic found in the hall (National Museum of Tehran)
Roman legionaries had knowledge of advanced construction techniques, but the finding of some high quality mosaics indicates that Shapur could rely on a number of skilled mosaicists in addition to the enslaved Roman soldiers. They most likely came from Antioch, where the making of mosaics had reached a peak. It is possible that these mosaicists moved to Bishapur as a result of clauses of peace treaties or just because they were offered good wages.
Louvre Museum in Paris: a stucco niche (left) and fragments of mosaics (right) of Shapur's Palace
In 1939-1941 Roman Ghirshman, a Russian-born French archaeologist, found at Bishapur some reliefs and mosaics which show the elaborate decoration of the palace which is hardly perceivable at the site.
Details: (from left to right) stucco decoration in the so-called Palace of Valerian; base of a column; capital with a double bull head (derived from capitals at Persepolis); traces of painting (perhaps added by the Arabs)
It is curious that there is not a single record of any traveller having visited the place, (..) and although explorers so ardent as Tavernier and Thevenot both passed through Kazerun, until Mortier in 1809. Lord Curzon
The choice of the site where Bishapur was built had advantages from a military viewpoint, but not from the economic one. Perhaps already a century after its foundation the town had already declined. Muslim chronicles have very few references to Bishapur. A Xth century traveller reported it in ruins. Today it is usually reached from Shiraz across a very mountainous region.
Other relief portraying Shapur with the three Roman emperors. Details showing: (above) high-rank Roman prisoners pleading with Shapur; (below) Sassanid horses
was named after its founder, Shapur I, whose relations
with the gods, numerous victories, and capture of the
Roman Emperor Valerian are depicted on the walls of a
Robert Byron - The Road to Oxiana - Macmillan 1937 (piece written in February 1934).
The gorge of the River Chogan houses a total of six large reliefs celebrating Shapur and other Sassanid kings. They are similar to some of those which were carved near the tombs of Achaemenid kings at Naqsh-e Rostam and Naqsh-e Rajab near Persepolis. Some iconographic details such as the cupid in the first relief shown in this page and the array of horses indicate the presence of Roman/Hellenized sculptors.
Ahuramazda, God of Good (left) gives a ring, symbol of power, to Bahram I, son of Shapur (this carving is almost a copy of that showing the coronation of Ardashir at Naqsh-e Rostam)
As documents, these reliefs give a
detailed picture of Sasanian fashions in harness, hats,
trousers, shoes, and weapons. As monuments, they are
an interesting survival of that uncouth impulse which
prompted the early monarchies of Egypt, Mesopotamia,
and Iran to hew themselves immortality out of the
living rock. As works of art, they have borrowed from
Rome, possibly through Roman prisoners, and mask
their barbarous ostentation under a veneer of Mediterranean stateliness and opulence. Those who admire
force without art, and form without mind, find them
Towards the end of the IIIrd century Roman coins started to portray the emperors wearing a crown of solid gold, rather than the usual laurel wreath. It was most likely due to the influence of the Sassanid way of depicting their kings and gods.
Bahram II receiving ambassadors (the image used as background for this page shows the horse's tail)
Large rock carvings were not unknown in ancient civilizations (you may wish to see a large Hittite relief at Ivriz in Turkey), but the Sassanids used them much more frequently. In the XIXth century the Qajar kings of Persia imitated the Sassanid ones and many carvings were made portraying them and their court. In 1830 a Sassanid king was wiped out from an ancient relief to make room for a Qajar king. Eventually the mountain with that carving was blown up to obtain material for construction.
The fact that this relief is unfinished and is the last shows that at the time of King Shapur II (309-379) the town had lost relevance. Shapur II had many accomplishments to celebrate, including the temporary occupation of Amida (today's Diyarbakir), a key Roman fortress on the River Tigris. He claimed to have killed Emperor Julian and to have imposed humiliating peace conditions on Jovian, Julian's successor.
Valley of the River Chogan; (inset and green dot) Shapur's Cave
The statue of Shapur, in full round and three times life-size is at the mouth of a cave three miles up the valley behind the gorge. A climb of 600 feet leads up to it. The last fifteen were perpendicular, and I stuck, while the valley swam below me. But before I could resist, the villagers had bundled me up like a sack, as they did our lunch and wine. At present a crowned head with a Velasquez beard and the curls of a Spanish Infanta lies at the bottom of the cavity, above which inclines a torso with sprigged with muslin tassels and broken off at the thighs. (..)
Mr. Hyde carved his name on it in 1821. We were just
in time to stop our Indian
chauffeur, from adding his. Byron
Robert Wilson, a wealthy Scotsman, in his (unpublished) journal briefly glosses over Bishapur, which he visited with Manchester businessman John Hyde as travelling companion.
Museo Nazionale d'Arte Orientale di Roma: Sassanid silverware
Pasargadae and Persepolis
Achaemenid Tombs and Sassanid Reliefs near Persepolis
Seljuk small towns (Ardestan, Zavareh and Abarquh)
XIVth century Yazd
XVIIIth century Shiraz
On the Road
An excursion to Abyaneh
People of Iran
and in another section on Iranian Azerbaijan:
Tabriz: The Blue Mosque
Tabriz: Azerbaijan Museum