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All images © by Roberto Piperno, owner of the domain. Write to romapip@quipo.it. Text edited by Rosamie Moore.
Page revised in October 2010.
To the Italian visitors of my web site

Chiesa della SS. Trinità e Ospizio de' Pellegrini (Book 9) (Map C3) (Day 7) (View D8) (Rione Regola)

In this page:
 The plate by Giuseppe Vasi
 Today's view
 SS. Trinità e Ospizio dei Pellegrini
 Palazzo Salomoni Alberteschi
 S. Salvatore in Onda

The Plate (No. 176)

In this 1759 etching, Giuseppe Vasi showed a group of pilgrims on their way to Ospizio dei Pellegrini e dei Convalescenti, a charitable institution founded by St. Philip Neri to provide assistance to pilgrims during the Jubilees and the Holy Week; in ordinary periods the building housed convalescents. The etching was most likely based on a scene Vasi personally watched in 1758 when Pope Clement XIII called a special Jubilee Year.
The view is taken from the green dot in the 1748 map below. In the description below the plate Vasi made reference to: 1) Rear side of Palazzo del Monte di Pietà; 2) Street leading to Ponte Sisto; 3) Street leading to S. Paolo alla Regola. The map shows also 4) SS. Trinità dei Pellegrini; 5) Palazzo Salomoni Alberteschi; 6) S. Salvatore in Onda.

Small ViewSmall Map

Today

The view today
(left) The view in June 2010; (right) Via dei Pettinari (wool-carders), the street leading to Ponte Sisto

Apparently only minor changes have occurred from the time of the etching: the top of the church façade has been slightly modified, the adjoining building has lost its coats of arms and the rear side of Palazzo del Monte di Pietà has an additional storey, but the modern building in the background indicates that all the refectories and dormitories of Ospizio dei Pellegrini were demolished in 1940.

SS. Trinità e Ospizio dei Pellegrini

Façade and dome
(left) Façade; (right) dome and one of the two small bell towers

SS. Trinità dei Pellegrini was built in 1614-16, but the façade was designed by Francesco de Santis in 1723; it is slightly concave and reminiscent of that of S. Marcello; the tympanum had an oval window which was closed with a stucco relief having at its centre a triangle, a symbol of the Trinity (you can see it in the image used as background for this page). The church is one of the few historical buildings of Rome which still retains the reddish colour which characterized the city until a few years ago (see a page showing the changes which have occurred in the last ten years).

Detail
Detail of the façade with statues of St. John the Evangelist (left) and St. Matthew (right) by Bernardino Ludovisi

Ospizio dei Pellegrini had separate divisions for male and female pilgrims; the dormitories had nearly 500 beds and the refectories could seat nearly a thousand guests; in addition to the church the establishment had an oratory (lost) in Via delle Zoccolette opposite Collegio Ecclesiastico, where at Vasi's time Jews had to listen to a sermon on Saturdays.

Interior
(left) Interior of the church; (right) side entrance to the hospice with the coat of arms of Pope Clement XII


At one point the management of the hospice felt the need to identify pilgrims from travellers in search of a free lodging; in 1843 Rev. Jeremiah Donovan wrote in his Guide to Rome: "To be admitted as pilgrims they must come from a distance of at least sixty miles and bring with them the attestation of their bishop, certifying that they come to visit the holy places. All go to Confession and Communion during their stay, and hear a moral discourse morning and evening. (..) The reception of the pilgrims during the Holy Week is at once edifying and affecting. Bishops, Cardinals, Ambassadors, Princes and Kings, vested in sack-cloth, the uniform of the confraternity, wash and dry and kiss their feet, attend them at table, and serve them with more than menial humility and assiduity."

Palazzo Salomoni Alberteschi

Palazzo Salomoni Alberteschi
View of the palace and of its two portals; (right-above) detail of the cornice; (right-below) detail of the cleaned portal

The Alberteschi were a powerful Roman family during the Middle Ages; their towers were located behind S. Benedetto in Piscinula in a neighbourhood known as Ripa Romea where many Jews lived. Salomone was a recurring name in the family and it eventually identified a branch of the Alberteschi; when they built (or acquired) a large palace in Via dei Pettinari they decorated it with Solomon's knots, a traditional Jewish symbol (you may wish to see an ancient synagogue decorated with these knots at Sardis).

S. Salvatore in Onda

S. Salvatore in Onda
(left) Façade; (centre) view towards Ponte Sisto; (right) a sacred image near the church

Onda is the Italian word for wave and it is generally thought that the appellation of this small church is due to the fact that it was frequently flooded; because of this the medieval church was modified several times and its floor was raised. The current building, including the façade, is the result of changes made in 1845 and in 1877. In 1844 the church was assigned to St. Vincenzo Pallotti and it still belongs to Societas Apostolatus Catholici (external link), the congregation he founded which from 1854 to 1947 was officially known as Pious Society of the Missions.

Excerpts from Giuseppe Vasi 1761 Itinerary related to this page:


Chiesa di s. Salvatore in Onda
L'anno 1620. da Cesareo della nobilissima famiglia Cesarini fu eretta questa piccola chiesa, che dalle acque del vicino Tevere, che spesso l'inondavano, prese il suo nome. Vi stettero sul principio i frati di s. Paolo primo Eremita; ma poi nell'anno 1434. fu conceduta al Procuratore Generale de' frati Conventuali, il quale ha rifatto il convento, e riattata la chiesa nella miglior maniera. Quindi proseguendo il cammino si vede a destra la
Chiesa della ss. Trinità ed ospizio per i Pellegrini
San Filippo Neri unito con alcuni Preti, e secolari dette principio alla grande opera dell' Ospitalità nella chiesa di s. Salvatore in Campo, formando una confraternita sotto il titolo della ss. Trinità, e per esercizio di carità verso il prossimo, elessero di dare sollievo a' poveri pellegrini, che vengono a visitare i Santuarj, di Roma; tanto più che si avvicinava l'anno del Giubbileo, e perciò presero in affitto una casa, in cui con carità somma ricevevano tutti, e lavando loro prima i piedi, ad essi davano da mangiare, e da dormire per tre giorni. A quest'essempio si mossero altre persone pie, ed altresì lo stesso intrapresero le donne verso le pellegrine, dando per tal effetto una casa D. Elena Orsina dama Romana; e continuandosi sempre con fervore quest'opera di misericordia, l'an. 1558. fu loro conceduta da Paolo IV. la chiesa di s. Benedetto in Campo, che quivi era; ma poi rendendosi angusta alle sagre funzioni, che facevano que' fratelli, nel 1614. fu fatta di nuovo la chiesa con magnifico disegno di Paolo Maggi: il prospetto però è di Francesco de' Santi. Fra le pitture, che ornano questa evvi nell'altare maggiore il celebre quadro della ss. Trinità dipinto da Guido Reni, e fra le sculture la statua di san Matteo Ap. opera di Copè Fiammingo, ed altre sculture rimarchevoli con metalli dorati sono nel primo refettorio dell'ospizio. La memoria di Urb. VIII. fu modellata dal Bernini, quella di Clemente X. dall'Algardi, il quale fece ancora il busto di s. Filippo Neri, evvi ancora quella di Clemente VII. e di Clemente XI. e quella di Benedetto XIV. come benefattori.
Oltre i pellegrini si ricevono in questo ospizio i poveri convalescenti, che escono dagli spedali, alimentandoli bene per tre giorni, e più ancora le bisognasse. Nell'oratorio segreto, in cui i fratelli sogliono fare le loro funzioni, vi si predica in ogni sabato agli Ebrei da un religioso Domenicano.

Next plate in Book 9: Chiesa e Ospizio di S. Galla
Next step in Day 7 itinerary: Monte della Pietà
Next step in your tour of Rione Regola: Collegio Ecclesiastico a Ponte Sisto