Home

Visit Rome following 8 XVIIIth century itineraries XVIIIth century Rome in the 10 Books of Giuseppe Vasi - Le Magnificenze di Roma Antica e Moderna The Grand View of Rome by G. Vasi The Environs of Rome: Frascati, Tivoli, Albano and other small towns near Rome A 1781 map of Rome by G. Vasi An 1852 map of Rome by P. Letarouilly Rome seen by a 1905 armchair traveller in the paintings by Alberto Pisa The 14 historical districts of Rome An abridged history of Rome How to spend a peaceful day in Rome Baroque sculptors and their works The coats of arms of the popes in the monuments of Rome Pages on a specific pope Pages complementing the itineraries and the views by Giuseppe Vasi Walks in the Roman countryside and in other towns of Latium following Ferdinand Gregorovius A Directory of links to the Churches of Rome A Directory of links to the Palaces and Villas of Rome A Directory of links to the Other Monuments of Rome A Directory of Baroque Architects with links to their works A Directory of links to Monuments of Ancient Rome A Directory of links to Monuments of Medieval Rome A Directory of links to Monuments of Renaissance A Directory of links to Monuments of the Late Renaissance A list of the most noteworthy Roman Families Directories of fountains, obelisks, museums, etc. Books and guides used for developing this web site An illustrated Glossary of Art Terms Venice and the Levant Roman recollections in Florence A list of Italian towns shown in this web site Venetian Fortresses in Greece Vienna seen by an Italian XVIIIth century traveller A list of foreign towns shown in this web site
What's New!

Detailed Sitemap

All images © by Roberto Piperno, owner of the domain. Write to romapip@quipo.it. Text edited by Rosamie Moore.
Page revised in April 2011.

To the Italian visitors of my web site

In and About Viterbo S. Maria della Querce

The sanctuary of S. Maria della Querce is named after an image of the Virgin Mary which in 1417 a peasant placed between the branches of an oak (It. quercia or querce) on his farm; the sacred image was visible from the road which linked Viterbo to Bagnaia and it soon became the object of popular devotion.
In summer 1467 the inhabitants of Viterbo made a short pilgrimage to that farm to pray for the end of a pestilence, which actually ended a few weeks later; this event prompted the building of a small church to house the sacred image; a few years later the construction of an imposing sanctuary began.
S. Maria della Querce can easily be reached by foot from Viterbo in half an hour along a straight road which starts at the north-eastern corner of the walls and which retains interesting monuments of the past.

S. Maria del Paradiso
S. Maria del Paradiso: cloister

In the second half of the XIIIth century members of the Cistercian order built a monastery outside the eastern walls of Viterbo; the complex was later on assigned to the Franciscans; its church was modified several times and it was eventually greatly damaged by bombings in 1944. The cloister instead retains much of its original Gothic design and atmosphere; the arches remind the viewer of the Papal Palace loggia which was built approximately at the same time.

(left) S. Maria dell'Edera; (right) fountain built by Pope Paul III
(left) S. Maria dell'Edera (1589); (right) fountain built by Pope Paul III

In The Innocents Abroad Mark Twain complained about the number of affixes needed to distinguish the many churches of Rome dedicated to the Virgin Mary; yet a dedication to Edera (ivy) is almost unique and cannot be found in Rome. A long inscription on the façade indicates that the church was built in 1589-95 with the consent of Cardinal Mariano Pierbenedetti, a distant relative of Pope Paul III; as a matter of fact Cardinal Pierbenedetti was offered the dioceses of Viterbo, but he preferred to remain in Rome.
Pope Paul III had many links with Viterbo as his family, the Farnese, had its roots in that town; he built a fountain for pilgrims on their way to the sanctuary.

(left) Villa Pamphilj; (right) portal of Villa Mussi; (centre) coats of arms of the Pamphilj (above) and of the Mussi (below)
(left) Villa Pamphilj; (right) portal of Villa Bussi; (centre) coats of arms of the Pamphilj (above) and of the Bussi (below)

In the XVIIth century the most important families of Viterbo built villas along the road leading to the sanctuary: Donna Olimpia Maidalchini Pamphilj, sister-in-law of Pope Innocent X, owned the fiefdom S. Martino al Cimino, a few miles south of Viterbo.
The Bussi were an important family of Viterbo who relocated to Rome where they inherited the properties of the Muti, including the family palace in Piazza S. Maria in Aracoeli; the Bussi's coat of arms is rather unusual: two open eyes on a blue background.

(left) S. Maria della Querce; (right) bell tower</i>
(left) S. Maria della Querce; (right) bell tower

The sanctuary was built between 1470 and 1525, mainly at the initiative of Pope Sixtus IV (1471-84) and his nephew Pope Julius II (1503-13). Maybe their interest in the sanctuary was due to Della Rovere, their surname, which means "of the oak", because rovere is a species of oak (sessile oak); their coat of arms shows an oak with twined branches (in the background of this page you can see it in a relief at the beginning of the steps leading to the church).

(left) S. Maria della Querce; (right) columns of the portico
(left) Façade; (right) columns which were probably utilized to support ephemeral decorations

The neat façade of the church and the bell tower were designed by a series of capomastri (master builders) and sculptors who are not included among the greatest architects of the Italian Renaissance, yet they were surely familiar with the works of the Sangallo family.

Detail with the lions of Viterbo and the oak of the pope
Façade: detail showing the symbols of Viterbo and of Pope Julius II

The large relief on the tympanum shows the Della Rovere oak between two lions representing Viterbo; it is one of the first examples of heraldic symbols which were used as a decorative motif; this practice was adopted by many popes to ensure their role in the construction of a building was not forgotten.

Glazed terracottas by Andrea della Robbia
Glazed terracotta reliefs by Andrea della Robbia: (above) Madonna and Child and Sts. Dominic and Lawrence; (below - left) St. Peter of Verona (he was killed with a billhook); (below-right) St. Thomas Aquinas (being a great theologian he is often portrayed holding a model of church)

Luca della Robbia was a Florentine sculptor who developed a pottery glaze which made his terracotta sculptures more durable; his nephew Andrea improved the technique by adding the use of colour, mainly for small details, such as the palm leaves of the martyrs; the fame of his works was not limited to Tuscany and he was asked to decorate the three portals of S. Maria della Querce which are included among his masterpieces.

Details of the main portal
(left) 1620 central door with Annunciation scene; (right) decoration of the main portal

The sanctuary has always received generous donations which have allowed proper maintenance of the many works of art which decorate it; several popes, including Pope Clement VIII and Pope Paul V, granted special indulgences to those who visited it; a small village was built for the peasants who worked in the nearby properties acquired by the sanctuary.

(left) Interior; (right) detail showing one of paintings by Cesare Nebbia
(left) Interior; (right) detail showing one of the paintings by Cesare Nebbia (1601)

The design of the interior is attributed to Giuliano da Sangallo, a Florentine architect who worked in Rome for Pope Julius II; it is believed that Sangallo was inspired by Filippo Brunelleschi's interior of S. Spirito in Florence (external link).

Ceiling
Ceiling with the coats of arms of: Viterbo, Madonna della Querce and Pope Paul III

The ceiling was designed in 1519 by Antonio da Sangallo the Younger, nephew of Giuliano, but its gilded decoration was added in 1535 by Pope Paul III who used gold from the Americas which was donated to him by Emperor Charles V (see a page on church ceilings in Rome).

(left) Tabernacle by Andrea Bregno; (right) altar in the choir by Pompeo Alberti
(left) Tabernacle by Andrea Bregno; (right) altar in the choir by Pompeo Alberti

Andrea Bregno was the major sculptor in Rome in the late XVth century; in particular he worked for the Della Rovere at S. Maria del Popolo; he concentrated on very low reliefs (It. stiacciato); in 1490 he was asked to create an elaborate tabernacle to house the sacred image.
The decoration of S. Maria delal Querce continued throughout most of the XVIth century as the church was formally consecrated only in 1578.

First cloister
First cloister

The construction of a large cloister was started in 1487; the design of its ground floor is still reminiscent of the strong Gothic tradition which existed in Viterbo, while the upper floor is in line with the Renaissance style of the complex.

Frescoes in the first cloister
Frescoes in the first cloister showing miracles of Madonna della Querce: (above) a peasant who has fallen on his own pruner is saved; (below) Pope Pius V prays for the victory of the Christian fleet at Lepanto

In the XVIIth century the ceiling of the cloister was decorated with frescoes depicting miracles attributed to the sacred image; they usually portray events associated with the local environment (including pilgrims assaulted on their way to the sanctuary), but they also show that Pope Pius V had a special devotion for Madonna della Querce; he donated to the sanctuary a spar from an Ottoman ship captured at Lepanto.

Second cloister
Second cloister

In the second half of the XVIth century a second cloister was completed probably based on an initial project by il Vignola which was reduced in size to lower its cost; it is now part of a cosy hotel which occupies part of the monastery (see their website - external link).

Fountains
(left) Well in the first cloister; (right) fountain in the second cloister

The cloister of S. Pietro in Vincoli was designed by Giuliano da Sangallo for Pope Julius II; it has a well similar to that of the first cloister; it has also a fountain which was added when an aqueduct brought water to that part of Rome; at S. Maria della Querce the fountain was built in the second cloister in 1633, when probably the sanctuary was linked to the aqueduct which supplied Villa Lante di Bagnaia.

Portal of a property built by Cardinal Gambara
(left) Portal of a property built by Cardinal Gambara; (right) coat of arms of the cardinal (It. gambero means shrimp)

Cardinal Gian Francesco Gambara was bishop of Viterbo in 1566-76; his name is associated with the construction of a new façade for S. Lorenzo, the cathedral of Viterbo, and of Villa Lante di Bagnaia; his coat of arms can be found on an imposing portal near the sanctuary; the property housed the local seminary until a few years ago.


In and about Viterbo - other pages:
Viterbo
Bagnaia
Bagnoregio
Bomarzo
Orte and Vasanello
S. Martino al Cimino
Tuscania
Vitorchiano

Pages on towns of Latium other than Rome In the Duchy of Castro: Farnese, Ischia di Castro, Valentano, Gradoli, Capodimonte, Marta In Maremma: Corneto (Tarquinia), Montalto, Canino A Pilgrim's Way: Via Francigena: Acquapendente, Bolsena, Montefiascone In and about Viterbo: Viterbo, Bagnoregio, S. Martino al Cimino, Tuscania, Bomarzo, S. Maria della Querce, Bagnaia, Orte, Vasanello, Vitorchiano From Civitavecchia to Civita Castellana: Civitavecchia, Tolfa, Allumiere, Oriolo Romano, Capranica, Sutri, Bassano, Monterosi, Nepi, Castel d'Elia, Civita Castellana From Bracciano to Viterbo: Manziana, Canale Monterano, Vejano, Barbarano, Blera, Vetralla Around Monte Cimino: Ronciglione, Caprarola, Carbognano, Fabrica, Corchiano, Vignanello, Vallerano, Soriano The Bracciano Lake: Bracciano, Trevignano, Anguillara At the foot of Monte Soratte: S. Oreste, Rignano, Faleria Land of the Romans' wives: Montopoli, Poggio Mirteto, Casperia, Cantalupo, Roccantica Sentinels on the Highway: Fiano Romano, Civitella S. Paolo, Nazzano, Torrita Tiberina, Filacciano, Ponzano Along Via Aurelia: Palidoro, Palo, S. Severa and S. Marinella A Walk to Malborghetto: Prima Porta, Malborghetto Branching off Via Cassia: S. Maria di Galeria, Formello, Isola Farnese To Nomentum and beyond: Mentana, Monterotondo, Palombara A Walk to Ponte di Nona: ancient monuments along Via Prenestina Via Appia Antica A short and delicious digression: Tivoli, Montecompatri, Monte Porzio Catone, Frascati, Grottaferrata, Marino, Castelgandolfo, Albano, Ariccia, Genzano, Velletri, Nemi, Rocca di Papa, Rocca Priora, Civita Lavinia (Lanuvio), Porto, Ostia Where the painters found their models: Anticoli Corrado, Castelmadama, Vicovaro, Arsoli Subiaco The Roman Campagna: Palestrina, Genazzano, Paliano, Anagni The Ernici Mountains: Ferentino, Alatri The Volsci Mountains: Valmontone, Colonna, Segni, Norma, Cori On the Latin Shores: Anzio, Nettuno, Torre Astura On the edge of the marsh: Sermoneta, Sezze, Priverno Circe's Cape: S. Felice, Terracina Veroli Branching off Via Flaminia: Riano, Castelnuovo di Porto, Morlupo, Leprignano (Capena)

Latium was enlarged in the 1920s with territories from the neighbouring regions: the map on the left shows the current borders of Latium; the map on the right has links to pages covering towns of historical Latium: in order to see them you must hover and click on the dots.