Iglesia de Cristo de la Luz, a former mosque (see its façade in the introductory page): (left) interior; (right) small dome
Toledo is an ancient and formerly a highly celebrated city, and was, in succession, the seat of
empire of the Goths, the Moors, and the kings
of Castile. The kings of the Goths made it
their residence in 567; it was taken from them
by the Moors in 711, and became a dependency
on the caliphs of Damascus and Bagdad; at
length it formed a part of the kingdom of Cordova, till a prince of the Moorish blood royal
raised the standard of revolt, and established a
separate empire, of which Toledo, about the
year 1027, became the capital.
Alexandre de Laborde - A View of Spain - translated into English for Longman, Hurst, etc. 1809
Cristo de la Luz is situated near the gate by the same name. From the inscription in the outer wall we know it was erected in 999 by Ahmad ibn Hadidi, a member of a local noble house using an architect called Musa ibn Ali, possibly on the site of a church, because Visigothic capitals were reused on the four central columns which divide the interior space into nine roughly equal sections. No trace remains of the original plaster or other decorative features of the interior.
Iglesia de Cristo de la Luz: (left) apse; (right) false Arabic inscription in the interior
In the Calle de Cristo de la Lux is a
very curious Moorish mosque, which was
afterwards given to the Templars. (..) Alonso VI paused
here to say mass when he entered Toledo
as its conqueror in 1085.
Richard Ford - A Handbook for Travellers in Spain - 1855
The present apse was added in 1190 by the Knights Hospitaller in mudéjar style. Mudéjar is the term used to indicate the Moorish style which characterizes some monuments which were built after the Christian Reconquista of Spain, the finest example being the Real Alcazar of Seville.
The image used as background for this page shows a detail of the side wall of the building.
Inside, the streets or rather
wynds, are irregular, ill-paved, steep,
and tortuous; but such intentional intricacy and narrowness rendered them
easy to defend when attacked, and kept
them cool in summer, however unpopular to travellers not in search of the
picturesque. The houses are massive
and Moorish-like, for the city was 350
years under their enlightened dominion. Ford
Actually most of the medieval buildings of Toledo, although having a Moorish aspect, were built after the Christian conquest and some of them were embellished with Roman and Visigothic materials.
This church stands on the site of a mosque which in turn stood on a Visigothic church (see a decorated pillar of that building). The mosque was built or redesigned in 1041 as indicated in an inscription. It was turned into a church in 1159 which shows that Muslims retained their mosques for a period of time after the Christian conquest of the town.
In San Roman is some Moorish work and inscriptions,
with singular arches and ancient pillars. Ford
The church was consecrated in 1221 and has mural frescoes and some Arabic as well as Latin painted inscriptions. It houses Museo de los Concilios y de la Cultura Visigoda.
Iglesia de Santa Leocadia: (left) façade; (right) bell tower
Leocadia was cast down
from the rock of Toledo (at the time of Emperor Diocletian): a
chapel was raised on the site of her fall,
in which many councils were held;
during one of which, in 660, angels
appeared and removed the stone from
her sepulchre; she forthwith arose "clad in a mantilla' and informed the
president San Ildefonso, that "her mistress lived through him". (..) The body,
according to some churchmen, ascended to heaven, while others assert
that when the Moors invaded Toledo
a Fleming carried it off to Flanders. The
corpse was rediscovered at Saint Ghislain,
in 1500, when Philip I obtained a
portion of it for the chapter of Toledo;
the rest was removed by the relicomaniac Philip II when fearful that the
heretics would conquer the Low Countries, and get possession of such a
treasure as this. He received the remains at the cathedral in person, April 26, 1587.
Leocadia is to Toledo what Eulalia is to Merida. In the XIIIth century a mudéjar church was built on the site of the house where Leocadia was born.
Iglesia de Santiago del Arrabal (a word indicating a neighbourhood outside the town, it is situated near Puerta Nueva de Bisagra): (left) façade; (right) bell tower
This is another church built in the XIIIth century. It was dedicated to Saint John the Apostle, a saint who is particularly venerated in Spain for his legendary intervention on the Christian side in a battle against the Moors, hence he is often referred to as Santiago Matamoros, Slayer of the Moors, and portrayed as a medieval knight, e.g. at Granada. This and other medieval churches of Toledo were restored in the XXth century with the aim of enhancing their original mudéjar features, with the unwelcome result of giving them a too-new appearance.
is almost impossible to pass through the southern part of the
town (where the Jewish quarter was situated) without lamenting the vicissitudes of human life; the
heaps of earth, bricks, and tiles, present the mournful remains of houses, the situation of which they now occupy.
When Toledo was first taken by the Moors it was filled with Hebrews; (..) they, resenting the Gothic persecution, facilitated the progress of the Berbers. (..) The Jews of Toledo, when their Moorish friends seized their money, turned to the avenging Christian, and facilitated the conquest of the city, in 1085, by Alonso VI. (..) Descend by narrow lanes to the former Juderia, or Jews' quarter, in which two most singular synagogues yet remain, although sadly degraded. The first, now called la Santa Maria la Blanca in 1405, when the ferocious persecutor San Vicente de Ferrer goaded the mob on against the Jews, was converted into a church; so it remained until the French degraded it into a storehouse. The architecture deserves much notice; the ground plan resembles that of a basilica. Observe the three aisles divided by polygonal pillars, which support horseshoe arches, springing from bastard Gothic capitals; remark the circular patterns in the spandrels, the stars, chequer work, and engrailed Moorish arches. (..) The ceiling is said to be made from beams of the cedars of Lebanon (it opens in another window), and the soil below the pavement was brought from Mount Zion. Ford
The synagogue was built in the early XIIIth century. In origin the brick pillars and arches were not painted. Today the building houses temporary exhibitions and cultural events.
Sinagoga del Transito: (left) interior; (right) "artesonado" ceiling, a mudéjar coffered wooden ceiling
The other synagogue, although less ancient, is finer and better preserved; although consecrated to San Benito, it is called el Transito, from a picture of the death of the Virgin, which has disappeared during recent reforms. It was built in 1357, by Samuel or Simel Levi, treasurer to Don Pedro the Cruel, and in fact his Joseph, his Mordecai. His royal master, however, in 1360, being in want of cash, and knowing the value of a Jew's eye, first tortured and then killed poor Levi, seizing his money-bags; all this rather pleased the Spaniards, who hated a Hebrew, whose strictness in tax-gathering had rendered him unpopular. Ford
The upper parts, being
out of reach, have escaped better, so
observe, the honeycomb cornice, the
rows of engrailed Moorish arches, and
the superb artesonado roof. A broad
band with foliage contains the arms
of Leon and Castile, and is edged with
the 84th Psalm in Hebrew characters, and a damaged inscription. (..)
Isabella, in 1494, gave the building
to the order of Calatrava: then the
holy of holies was converted into an
Today the building houses Museo Sefardi, sefardim being the Jews who lived in Spain until 1492.
Cathedral - Vestibule of Sala Capitular with the coat of arms of Cardinal Francisco Ximenez de Cisneros, Archbishop of Toledo in 1495-1517
Next visit la Sala Capitular de Invierno, the winter chapterhouse: the
ante-room is very Moorish. The square portal was executed by Bernardino
The Moorish element of this portal is the sebka decoration, i.e. a grid of diamond shapes which characterizes the Giralda of Seville and the Minaret of the Great Mosque of Rabat.
Cathedral - Sala Capitular: ceiling
The superb artesonado ceiling was
painted by Francisco Lara. Ford
The 1492 conquest of Granada and of the beautiful palaces of the Alhambra brought about a new interest for the Moorish style. This ceiling is only vaguely reminiscent of those at Granada, whereas another ceiling of the same period at Zaragoza has a more noticeable Moorish design.
Museo de la Santa Cruz (in the premises of the historical hospital): (left) Arab gravestones; (right) mudéjar glazed pottery wellhead (XIVth century)
Plan of this section (see its introductory pages):
|Andalusia||Almeria Antequera Baelo Claudia Carmona Cordoba Granada Italica Jerez de la Frontera Medina Azahara Ronda Seville Tarifa|
|Castile||Archaeological Park of Carranque Castillo de Coca Olmedo Segovia Toledo Villa La Olmeda|
|Catalonia||Barcelona Emporiae Girona Tarragona|