Home

Visit Rome following 8 XVIIIth century itineraries XVIIIth century Rome in the 10 Books of Giuseppe Vasi - Le Magnificenze di Roma Antica e Moderna The Grand View of Rome by G. Vasi The Environs of Rome: Frascati, Tivoli, Albano and other small towns near Rome A 1781 map of Rome by G. Vasi An 1852 map of Rome by P. Letarouilly Rome seen by a 1905 armchair traveller in the paintings by Alberto Pisa The 14 historical districts of Rome An abridged history of Rome How to spend a peaceful day in Rome Baroque sculptors and their works The coats of arms of the popes in the monuments of Rome Pages on a specific pope Pages complementing the itineraries and the views by Giuseppe Vasi Walks in the Roman countryside and in other towns of Latium following Ferdinand Gregorovius A Directory of links to the Churches of Rome A Directory of links to the Palaces and Villas of Rome A Directory of links to the Other Monuments of Rome A Directory of Baroque Architects with links to their works A Directory of links to Monuments of Ancient Rome A Directory of links to Monuments of Medieval Rome A Directory of links to Monuments of Renaissance A Directory of links to Monuments of the Late Renaissance A list of the most noteworthy Roman Families Directories of fountains, obelisks, museums, etc. Books and guides used for developing this web site An illustrated Glossary of Art Terms Venice and the Levant Roman recollections in Florence A list of Italian towns shown in this web site Venetian Fortresses in Greece Vienna seen by an Italian XVIIIth century traveller A list of foreign towns shown in this web site
What's New!

Detailed Sitemap

All images © by Roberto Piperno, owner of the domain. Write to romapip@quipo.it. Text edited by Rosamie Moore.
Page revised in September 2009.

To the Italian visitors of my web site

Ospizio dei Frati Eremiti (Book 7) (Map A3) (Day 2) (View B8) (Rione Monti)

In this page:
 The plate by Giuseppe Vasi
 Today's view
 S. Paolo Primo Eremita
 Lost Friaries and churches: S. Maria della Sanità, S. Norberto, S. Dionigi Areopagita
 Palazzo del Viminale
 The obelisk
 S. Maria Maggiore
 S. Vitale

The Plate (No. 122)

Ospizio dei Frati Eremiti


The subject of the plate is the tribune of S. Maria Maggiore. It is one of three plates devoted by Vasi to this Basilica (the others are plate 48 - front view and plate 157 - side view). In 1771 Vasi depicted the tribune in a larger etching. The view shows a section of Strada Felice, the street which links S. Maria Maggiore to SS. Trinità dei Monti. The street was opened by Pope Sixtus V whose name before the appointment was Felice Peretti.
The view is taken from the green dot in the small 1748 map here below. In the description below the plate Vasi made reference to: 1) Tribuna di S. Maria Maggiore; 2) S. Maria della Sanità; 3) S. Paolo Primo Eremita. The small map shows also 4) S. Norberto; 5) S. Dionigi Areopagita; 6) S. Vitale.

Small ViewSmall map

Today

The view today
The view in April 2007

The area was largely modified after 1871 with the opening of Via Nazionale (the photo was taken immediately before the crossing between this street and Strada Felice). In 1920 the construction of a complex of buildings to house the Italian Home Office led to the pulling down of S. Maria della Sanità and of part of the monastery adjoining S. Paolo Primo Eremita.

S. Paolo Primo Eremita

S. Paolo Primo Eremita
(left) Façade; (right-above) coat of arms of the Italian Royal Family (Savoia) between two lions (the coat of arms replaced a palm tree); (right-below) capitals with a raven and a lion


The church was dedicated to an Egyptian saint who is regarded as the first Christian hermit (primo eremita). He lived in the desert in a cave inside which he found a spring. A palm tree provided him with food and leaves with which he covered himself; every day a raven brought him some bread. At his death two lions dug his grave by using their paws.
A religious order inspired after the life of this saint was endorsed by Pope Clement V in 1308. Its members were mainly Hungarians and Poles. The Roman monastery was founded in 1669; the church shown in the plate was almost entirely redesigned by Clemente Orlandi in time for the 1775 Jubilee Year; the small portico has points in common with Bernini's S. Andrea al Quirinale, whereas the use of concave and convex lines is a tribute to Francesco Borromini. The façade has many references to the life of St. Paul, which attract the curiosity of unhurried passers-by. The church was deconsecrated in 1873.

Lost Friaries

The Friary
Buildings in Via delle Quattro Fontane: (left) coat of arms of Pope Pius IV inside a courtyard ; (right) portal decorated with flaming hearts


There were three other monasteries with a church in this section of Strada Felice (S. Maria della Sanità, S. Norberto, S. Dionigi Areopagita). They are all lost although some references to religious institutions can be found in the current buildings.
S. Dionigi Areopagita was shown by Vasi in another view of the tribune of S. Maria Maggiore, taken from le Quattro Fontane.

Palazzo del Viminale

Palazzo del Viminale
Palazzo del Viminale


The Ministry for Internal Affairs is one of the last stile umbertino buildings in Rome. It was designed by Manfredo Manfredi. Its construction and that of other adjoining buildings led to the levelling of a vast area, thus making the Viminale hill rather difficult to notice.

The Obelisk

S. Maria Maggiore
(left) The obelisk; (right) view from the base of the obelisk towards that of SS. Trinità dei Monti

The obelisk was relocated here by Pope Sixtus V in 1587; originally it was at the entrance of Mausoleo di Augusto together with a second obelisk which is now in Piazza del Quirinale. The pope dedicated the obelisk to the Holy Cross: a bronze cross was placed above the heraldic symbols of the pope (to see all the obelisks of Rome click here).
From the base of the obelisk it is possible to see the full length of Strada Felice. The street is now divided into three sections:
a) Via Depretis from S. Maria Maggiore (on the Esquilino hill) to Via Nazionale which is located between the Viminale and Quirinale hills;
b) Via delle Quattro Fontane from Via Nazionale to Piazza Barberini on the other side of the Quirinale hill;
c) Via Sistina from Piazza Barberini to the obelisk opposite Trinità dei Monti on il Pincio.

S. Maria Maggiore

Heraldic symbols
(left) Lantern of Cappella Sistina; (right) lantern of Cappella Paolina


The rear view of S. Maria Maggiore is marked by the large domes of Cappella Sistina, built by Pope Sixtus V and of Cappella Paolina which was built a few years later by Pope Paul V. They can be distinguished by the heraldic symbols of the popes (those of Pope Paul V were eagles and dragons).

S. Maria Maggiore
Apse of S. Maria Maggiore

The exterior of the old medieval apse was out of proportion with the dimension of the two chapels and of their domes. In 1669 Pope Clement IX endorsed a project by Gian Lorenzo Bernini which was based on the construction of a new larger apse surrounded by a colonnade. The cost of the project was initially underestimated by Bernini, perhaps to ease the papal approval. Pope Clement X in 1670 stopped the execution of the project and in 1673 Carlo Rainaldi redesigned the apse appearance, making it look larger by the addition of balustrades and statues.

S. Vitale

S. Vitale
(left) Façade; (right) interior

In the XVIIIth century a narrow lane off Strada Felice led to the old church of S. Vitale, rebuilt in 1475 by Pope Sixtus IV. Today S. Vitale is located along Via Nazionale, a very important street; because town planners wanted the new street to have a smooth inclination they raised the level of the ground and the church ended in a sort of hole.
The very simple façade leads to a very interesting interior which at the beginning of the XVIIth century was painted with dramatic scenes of sufferings and deaths of martyrs. The finely carved doors give the visitor an anticipation of what he is going to see.
You may wish to see the church as it appeared in a 1588 Guide to Rome.

S. Vitale
(above) Coat of arms of Pope Sixtus IV on the entrance lintel; (below) wooden panels of the door with scenes of the martyrdoms of S. Gervasio (left) and S. Protasio (right)

Excerpts from Giuseppe Vasi 1761 Itinerary related to this page:


Quindi seguitando il cammino per la strada dritta, aperta dal mentovato Sisto V. e perciò chiamata strada felice, si trova a sinistra in primo luogo la chiesa di s. Maria della Salute coll'ospizio de' vescovi Orientali, ora collegio de' frati Conventuali; e appresso siegue l'
Ospizio e Chiesa di S. Paolo primo Eremita
Vivono in questo alcuni religiosi sotto l'invocazione di detto Santo, venuti dall'Oriente per qualche giusto motivo; ed incontro evvi il collegio de' Premostatrensi. Entrando poi nel vicolo accanto, si trova il giardino col nobilissimo casino Strozzi, in cui sono delle belle statue antiche, e moderne, con altre altre rarità.
Tribuna di S. Maria Maggiore
Dal Pontefice Alessandro VII. fu fatta questa prospettiva con disegno del Cav. Rainaldi; l'esteriore però della cappella Borghesiana fu architettata da Flaminio Ponzio; e le statue sono di diversi; questa di s Luca e di s. Girolamo sono opere del Valsoldo; il s. Marco del Mochi; il s. Mattia del Sonzino, ed il s. Efrem di Stefano Maderno. Il piccolo obelisco che quì si vede eretto, era del mausoleo di Augusto, e fu quivi trasportato per ordine di Sisto V. in ornamento di questa Basilica, erigendovi sopra lo suo stemma il segno della ss. Croce, tutti di metallo.
Chiesa di S. Vitale
A destra si vede questa chiesa, che fu eretta l'anno 416. da Innocenzo I. e dedicata ai ss. fratelli Gervasio, e Protasio martiri figliuoli di s. Vitale, che fu sepolto vivo in odio della s. Fede. Dopo varj restauramenti, essendo questa nell'anno 1595. unita a quella di s. Andrea de' padri Gesuiti, fu quasi rinnovata da D. Isabella della Rovere principessa di Bisignano, ed è ornata di molte pitture a fresco; quelle della tribuna sono d'Andrea Comodo, e quelle avanti del Ciampelli, il resto sulle pareti della chiesa sono di altri, e li strumenti, che i gentili usavano per tormentare i Cristiani dipinti nel portico, sono del P. Gio: Batista Fiammieri, il quale dipinse a olio ancora i due quadri ai lati dell'altare maggiore. Ritornando poi sulla strada felice, evvi a sinistra la chiesa di san Dionisio Areopagita eretta l'anno 1619. da' Frati della ss. Trinità del Riscatto Francesi; nella cappella a destra vi è la ss. Vergine dipinta da Monsù Dansì; e quella nell'altare maggiore è di Carlo Cesi.

Next plate in Book 7: Chiesa di S. Maria delle Grazie
Next step in Day 2 itinerary: Chiesa di S. Pudenziana
Next step in your tour of Rione Monti: Chiesa di S. Pudenziana