Home

Visit Rome following 8 XVIIIth century itineraries XVIIIth century Rome in the 10 Books of Giuseppe Vasi - Le Magnificenze di Roma Antica e Moderna The Grand View of Rome by G. Vasi The Environs of Rome: Frascati, Tivoli, Albano and other small towns near Rome A 1781 map of Rome by G. Vasi An 1852 map of Rome by P. Letarouilly Rome seen by a 1905 armchair traveller in the paintings by Alberto Pisa The 14 historical districts of Rome An abridged history of Rome How to spend a peaceful day in Rome Baroque sculptors and their works The coats of arms of the popes in the monuments of Rome Pages on a specific pope Pages complementing the itineraries and the views by Giuseppe Vasi Walks in the Roman countryside and in other towns of Latium following Ferdinand Gregorovius A Directory of links to the Churches of Rome A Directory of links to the Palaces and Villas of Rome A Directory of links to the Other Monuments of Rome A Directory of Baroque Architects with links to their works A Directory of links to Monuments of Ancient Rome A Directory of links to Monuments of Medieval Rome A Directory of links to Monuments of Renaissance A Directory of links to Monuments of the Late Renaissance A list of the most noteworthy Roman Families Directories of fountains, obelisks, museums, etc. Books and guides used for developing this web site An illustrated Glossary of Art Terms Venice and the Levant Roman recollections in Florence A list of Italian towns shown in this web site Venetian Fortresses in Greece Vienna seen by an Italian XVIIIth century traveller A list of foreign towns shown in this web site
What's New!

Detailed Sitemap

All images © by Roberto Piperno, owner of the domain. Write to romapip@quipo.it. Text edited by Rosamie Moore.

To the Italian visitors of my web site

Emperor Joseph II portrayed as Hercules - 1806 Monument in Josefsplatz by Franz Anton Zauner Vienna seen by an Italian XVIIIth century traveller - Monuments celebrating the end of plagues


In the past, historians described at length in their books wars, battles, plots, even love affairs, but paid little attention to other factors which had a major impact on the rise and fall of the empires of the past.
Today one of the key reasons behind the failure of Rome to withstand the barbarian onslaughts, is thought to have been the sharp fall in manpower caused by imported pestilences. Among these the bubonic plague stood for its devastating effects. The 1348 Black Death is thought to have reduced the population of Europe by one-third. In addition it caused a general economic recession.

Mariensaule
Mariensaule

Vienna, located along trading routes linking Central Europe with Constantinople and Asia, was particularly exposed to pestilences. In 1629 a bubonic plague hit Vienna; fifty years later the pestilence spread again and returned once more in 1714.
All knew what had happened in Rome in 596: St Gregory the Great while praying for the cessation of a plague at the head of a procession, saw an angel in the act of sheathing his sword, a sign that the calamity was coming to an end (the image used as a background for this page shows the angel at the top of Castel Sant'Angelo in Rome). For this reason during the pestilences in Vienna many processions took place during which the participants prayed to the Virgin Mary and to a selected number of saints to intercede with God for them.
In 1667 the Emperor Leopold I erected a monument to the Virgin Mary to thank her for intervention to quell the pestilence and other scourges which had hit Vienna.
The design of the monument was no doubt influenced by the column erected in 1605 by Pope Paul V opposite S. Maria Maggiore in Rome.

Pestsaule
Pestsaule in Graben

After the 1679 plague a monument specifically meant to thank God for the end of the scourge (Pestsaule) was erected in the Graben, a large square on the site of the ditch which protected the ancient Roman town. Pestsaule set the pattern for many similar monuments in other Austrian towns. It is a spectacular spiral of clouds, angels and saints. It shows the hand of Ludovico Burnacini, an Italian scenery designer who played a key role in the cultural life of Vienna in the late XVIIth century.

Pestsaule behind St. Ulrichs
Pestsaule behind St. Ulrichs

A smaller, but very similar Pestsaule can be seen near the Church of St. Ulrichs which is located without (outside) the walls.


Pestsaule in front of Piaristenkirche
Pestsaule in front of Piaristenkirche

The Pestsaule in front of Piaristenkirche, another church without the walls, shows a design which is midway between a column to the Virgin Mary and the Graben Pestsaule. These monuments were usually accompanied by statues of saints to whom the inhabitants of Vienna attributed a particularly effective power of intercession.

References to the Roman tradition in Karlskirche and in 
Kirche 'Zu den neun Choren der Engel'
References to the Roman tradition in Karlskirche and in Kirche 'Zu den neun Choren der Engel'

In addition to Pestsaule and similar monuments, Vienna shows references to the Roman tradition of portraying an angel sheathing his sword as a sign of a pestilence coming to an end.


Pages in this section of the website in recommended order:
Introduction: the Holy Roman Empire of the German Nations
Renaissance Vienna
The 1683 Siege of Vienna
XVIIth century churches
XVIIth century palaces
Monuments celebrating the end of plagues
The walls of Vienna
Sacred images
XVIIIth century churches
XVIIIth century palaces
Fountains
Italian sculpture and sculptors
A political manifesto: Karlskirche
Churches without the walls
Palaces and Villas without the walls
A day in the countryside: Perchtoldsdorf