Crisis and New Foundation
(left) Map of the so-called Servian walls; (right) a section of the Servian walls found in the XIXth century near Chiesa dei SS. Vito e Modesto
Marcus Furius Camillus is regarded by many historians as the second founder of Rome. In
396 he led the Roman army against the rich Etruscan town of Veii (near today's Isola Farnese),
located just 10 miles north of Rome. The seizure of Veii marked the end of the Etruscan
threat to the development of Rome. In the next few years the Romans seized Falerium, a town
north of Veii and the security of Rome from Etruscan attacks was further ensured
by the conquest in 389 of Sutri, located in a key position on the road leading to Rome.
The success of Camillus at Veii attracted the envy of other patrician families and he was accused
of having royal ambitions: he chose to go into voluntary exile at Ardea, not far from Anzio.
But Rome had not yet completely enjoyed the benefit of its victories, when a new unexpected
threat came from the north. In 390 (or in 387) a tribe of Gauls, the Senones, invaded the Etruscan territories and moved
southwards under the leadership of Brennus. The Romans placed their legions along the Allia, a
small stream near Monterotondo, to prevent them from reaching Rome; the Gauls simply routed the Roman army. The
soldiers who had managed to escape from the battlefield, fled back to the city in disarray.
The Romans barricaded themselves
in the Campidoglio, where one night they were alerted to a Gallic attack by the sacred geese of Juno. The rest of the city
was plundered by the Gauls, in what can be seen as an anticipation of the barbarian invasions which occurred 800 years later.
The event is associated with a couple of famous sentences: Brennus had agreed to leave Rome if the Romans had paid a certain amount of gold. At the
weighing of the gold, the Romans discovered that the weights were heavier than standard ones. When
they complained he shouted Vae victis (woe to the vanquished): at this point Marcus
Furius Camillus made his unexpected appearance followed by a Roman army and threw his sword into the scale proclaiming: Not auro, sed ferro, recuperanda est patria.
(not gold, but steel redeems the nation). He then attacked the Gauls and forced them out of Rome.
Notwithstanding the happy, albeit miraculous, end of these events, it is said that the
Romans wondered whether they should rebuild their city on the same site or move to a more easily
defensible location; eventually this option was discarded, but the awareness of the
weakness of the old fortifications led to the decision to build a new set of walls to protect the whole city and not just
the two original hills. These walls are called Servian, after Servius Tullius, the sixth
king of Rome, but they belong to the early republican period, although they were
to a great extent rebuilt several times in the following centuries. The main remaining
sections are located near Termini railway station (Aggere Serviano)
and near Chiesa di S. Saba,
but smaller parts of the walls can be found elsewhere
in Rome.
War at Sea
(left) Rostra in Foro Romano; (right) Colonna rostrata in Piazza del Popolo
While the Etruscans blocked the expansion of the Romans towards the north,
that southwards was also rather difficult due to the hostility of the Volsci, an Italic people
occupying the coastal plain south of Rome: their main towns were Velitrae (Velletri),
Antium (Anzio) and Anxur (Terracina). The wars the Romans waged against them
led to many land battles, but in 338 there was what is recorded as the first Roman naval
battle in the sea near Anzio. In those days the ships travelled along the coastline, so the Roman ones,
en route towards the harbour of Ostia from the south, were at risk of being captured by the Volsci.
The excitement for this first naval victory was such that the captured ships' bronze beaks (rostra)
were placed in the Forum in an open square (Comitium - go together), where all the
Romans could see them.
In 260 the Romans defeated the Carthaginians at sea near Milazzo in Sicily: the rostra
captured in that battle were placed on a column in the Comitium. In 29 Augustus, after having defeated
the Egyptian fleet at Actium in Greece, in the frame
of a general restructuring of the Forum, moved the rostra to a sort of large altar
which ended by being used to speak to the Roman people assembled in the Forum. 2,000 years
after its erection the column
with the Carthaginian rostra inspired the Neoclassic decoration of Piazza del Popolo.
Relocation of the Harbour
(left) Temple of Foro Olitorio now included in S. Niccolò in Carcere; (right)
the high basement of Temple of Portunus
Many believe that behind the expansion of Rome lay a militaristic and expansionistic drive: this is probably due to the fact
that wars, battles, heroes and the likes appeared more interesting to both the writers
and readers of books on the history of Rome: however it is more consistent with the actual
development of the events to make a parallel between the growth of Rome with that of
the British Empire, which was clearly
driven by trade interests.
Rome was a large emporium (trade centre) well before having an imperium (command and later on empire). The republican
walls protected an area which by far exceeded that of Athens, at a time when Rome
did not even rule over the whole of Latium. The decision to found the city on a low hill shows
that military considerations were not high in the mind of Romulus and that he was mainly
interested in the commercial benefits Rome would gain from being placed on the Tiber.
At the beginning ships moored near the Velabro, but in the republican period the area was too congested and gradually
a river harbour was developed in what is today called Testaccio.
The area of Velabro was embellished by the merchants who continued to meet there: they
built many small temples dedicated to the gods who were patrons of their trade (this tradition in a way
was continued many centuries later by the churches built by the medieval
and Renaissance guilds).
This explains why the temples are so many and so small. Three temples were lined up one next to the other (you see them in the image used as a
background for this page); today they are almost entirely incorporated in a small church.
The temples of Velabro were rebuilt or repaired several
times, but they retain something of their original design. A characteristic of the early
Roman architecture is the high basement upon which temples were built, because in the very early days of their city the Romans
just placed an altar on high ground to allow maximum visibility to the performance of
religious ceremonies (chiefly sacrifices).
A New Player in the Mediterranean Game
A section of Via Appia in the Roman countryside near Sepolcro di Gallieno
With the victory over the Volsci Rome had no longer rivals
in southern Latium: it controlled an area relatively small, but larger than the territory
of each of the many rich Greek colonies in southern Italy. These did not constitute a united
front, they were divided as much as their parent towns in Greece. Some of them saw Rome as
a potential ally in their quarrels with their neighbours. Rome made with them alliances
called foedus (after which we have today federal/federation) and in some cases granted
citizenship rights to their patricians.
In order to speed communication with these towns the Consul Appius Claudius (the Blind) promoted
the construction of the first Roman road, named after him Via Appia.
It initially reached only Terracina, but with the growth of the Roman influence in southern Italy it was
prolonged several times until it reached Brundisium (Brindisi), the gateway to Greece.
Iconography
The characters and events mentioned in this page have inspired many artists: in particular
Lucretia was portrayed by many Renaissance painters: the following external links
show paintings by Cranach,
Titian, Lotto (she was portrayed in a detail),
Veronese and
Rembrandt.
Horatius Coclites and Mutius Scaevola (links open in separate windows) were both portrayed in the frescoes of
Palazzo dei Conservatori. Scaevola was also portrayed in many other paintings: for its elegance I particularly like
that by the Venetian painter Giovanni Antonio Pellegrini.
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