(left) Ancient necropolis; (right) relief of a gravestone showing a couple
Roman law did not allow the construction of tombs within the pomerium, the official boundary of towns. Apparently the rule seems to deal with hygienic worries, but because the usual mode of disposing of corpses was cremation, it was mainly meant to prevent the richest citizens from occupying public spaces with their funerary monuments. Through this law the Roman Republic showed its opposition to forms of "the cult of personality" and even the tombs of the emperors were built outside the pomerium.
The necropolis of Mactaris was therefore located at the very end of the town and it included rudimentary family chapels built by using large stones and later tombs decorated with reliefs, including some where couples were portrayed hand-in-hand as in reliefs along Via Appia in Rome.
The northern end of Mactaris was marked by a triumphal arch, which has been very much reconstructed and today marks the entrance to the modern town. In a ravine to the right of the arch, archaeologists have found a small tophet, a Carthaginian cemetery for babies, which supports the opinion that some Carthaginians settled in Mascaris after the destruction of their city.
Temple of Hathor and behind it House of Venus
The Temple of Hathor was first erected in the Ist century BC and then reconstructed in the IInd century AD. It is known for having contained a very long Punic inscription. Hathor was an Egyptian goddess, but she was worshipped in other Mediteranean countries and her cult was probably brought to Mactaris by the Carthaginians. The temple is evidence of the religious policy pursued by the Romans until the IIIrd century AD which in general refrained from forbidding traditional local cults, as long as they did not impact on the loyalty to Rome of their followers.
(..)..duas tantum res anxius optat /panem et circenses "(people) anxiously hope for just two things: bread and circuses" (Juvenal, Satire). What applied to Rome, applied to the remotest towns of its empire. At Mascaris the amphitheatre most likely housed venationes, the hunting of wild animals, from bears to ostrichs. Mosaics portraying these animals have been found at many places as shown in a lively mosaic at the Museum of Bardo in Tunis. The fact that the beasts of the mosaic had names is evidence that venationes did not necessarily entail the killing of the animals.
|Other ancient amphitheatres in this web site:|
The Colosseo of Rome
The Amphitheatre of Albano
The Amphitheatre of Capua
The Amphitheatre of Pompeii
The Amphitheatre of Catania
The Amphitheatre of Syracuse
The Amphitheatre of Sutri
The Amphitheatre of Urbs Salvia (Urbisaglia)
The Amphitheatre of Pola in Istria
The Amphitheatre of Salona in Dalmatia
The Amphitheatre of Italica in Spain
The Amphitheatre of Merida in Spain
The Amphitheatre of Tarragona in Spain
The Amphitheatre of Caesarea Maritima in Israel
The Amphitheatre of Thysdrus (El Djem) in Tunisia
The Amphitheatre of Uthina (Oudna) in Tunisia
The Amphitheatre of Leptis Magna in Libya
A complex of buildings at the south-western end of Mactaris is traditionally called Schola Juvenum after an inscription found there, which perhaps was related to other buildings. It has not been easy for archaeologists to reconstruct the complex because it was modified several times. According to the inscription it was built in 88 AD at the time of Emperor Domitian as a sort of club for the young men of Mactaris; apparently they had some role in policing the town.
Schola Juvenum: (left) funerary basilica: (right) gravestone used as an altar
The complex was turned into a pagan basilica where funerary rites were performed and two gravestones from the nearby necropolis were utilized as altars. Eventually in the IVth century it was turned into a church.
Buildings between Schola Juvenum and the necropolis
Archaeologists had the same difficulties experienced at Schola Juvenum in exactly determining the purpose of a series of buildings near the necropolis. They date from the time of Emperor Septimius Severus to the Vth century. Worthy of note is a building with four apses having some of the characteristics of “office windows” which is thought to have been a place where taxes were collected or supplies to the poor were distributed. Similar "office windows" have been found inside an ancient building at Sicca Veneria and their purpose is also unexplained.
Basilica of Hildeguns; (inset) a cross carved on a stone
In 439 the Vandals invaded the Province of Africa. They were Arians and they took a strong stance against the remaining pagan communities. This was perhaps more true at Mactaris than at other locations because almost nothing is left of the temples which stood in the forum. Their columns were used to build a basilica with three extremely long and narrow aisles very near the Forum and probably above an existing building. It is named after an inscription found on a grave which supposedly is that of the founder.
Fortified area outside the arch of the Forum
In the VIth century the Province of Africa was conquered by the Byzantines. Emperor Justinian promoted the construction of small fortresses by modifying the fora of many towns (as at Thugga, Musti and Sufetula). At that time the population of Mactaris must have been much smaller than in its heyday.
Inscriptions; (left) in the Forum dedicated to a local magistrate (aedile); (centre) in the Museum celebrating Emperor Julian and erected by Licinius Faustus the local "flamen"; (right) relief of a gravestone
The archaeological site of Mactaris has a small museum, mainly in the open air on the site of a basilica. It houses a rare inscription dedicated to Emperor Julian, which was not erased after his death, as occurred elsewhere because he was regarded as the last persecutor of the Christians. The inscription indicates that at his time the office of flamen, a priest appointed to superintend the worship of the deified emperors, was still in place.
The image used as background for this page shows a Christogram on a gravestone.
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Carthage - Punic memories
Carthage - Roman period
Carthage - Museums
Mosaics in the Museum of Bardo